No, they don’t blast terrorizing 8-bit electro-clash beats while screaming nonsensically — that’d be Crystal Castles. And their drummer doesn’t go by the nom de plume “Sexual Chocolate” — think Crystal Antlers. Instead, Brooklyn, NY’s Crystal Stilts marry the garage-rock and alt-pop aesthetic of New Zealand’s late and eternally unappreciated the Chills with the gloriously gloomy moan of Joy Division’s Ian Curtis in a sound both lo-fi obsessives and file-sharing fetishists can attend. The group’s debut full-lentgh, Alight of Night (out Oct. 28), is lined with tunes that shine and glimmer (”Shattered Shine,” “Prismatic Room”), even as other tracks stare menacingly into the darkness (”The Dazzled,” “The Sinking”).
Crystal Stilts were founded in New York in 2003 by Brad Hargett and JB Townshend. Soon the band — still just a duo — recorded their debut single, “Shattered Shine,” with Sean Mafucci (Gang Gang Dance, Kid Congo Powers) and then toured with numerous acts, from Blood on the Wall to the now defunct Brit rockers the Long Blondes. Over the past two years, Hargett and Townshend added Kyle Forrester on keyboards and Andy Adler on bass, while writing Alight of Night, which is Crystal Stilts’ second release of this year — following a self-titled EP — and the band’s first with former Vivian Girls drummer, Frankie Rose.
Crystal Stilts’ relation to New Zealand indie rock doesn’t stop at their sonic influences: The band received the blessing of Hamish Kilgour, frontman of seminal NZ noise-pop outfit the Clean, at their very first show. SPIN
confirmed: tue 17 feb 8pm RIGHT TURN LEFT (UK)
“Instantly catchy indie sounds to groove endlessly to”
– NME (See pretty haircuts for boys)
“outrageously hook laden, tight-as-a-bolt, charismatic and literate three minute indie-pop songs”
– Laissez Faire Club
“i like this song i would total screw some hot blond to this track if i could get 1 but eating a tub of rockie road top with m&ms is just as good…in closing i think this is a hit and my fat ass is hungry – 10/10″
– Slicethepie user’s review of Sloe Gin
“Throw a disco sized ball of beats over impossibly tight guitar interplay – If Bloc Party dropped MDMA, maybe.”
confirmed: 9 feb 09 HANDSOME FURS (CAN)
Dark and minimal while noisy and earnest, the point of this ex- “Wolf Parade” duo was to be as sparse and repetitive as possible with the help of little more than vocals, guitars, and a drum machine. Disenchanted vocals thinly resonate while cloaked in a frenzied undertone of fear and uncertainty, all punctuated by bare drum machine beats. Their debut is a record of melancholic tendency and heartfelt desire; a stripped down symphony relegated between city and country, and made for ears of either side.